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Dana Hoey (b. Marin County, California) is a visual artist working with photography, using "the camera to reveal the inner life of women, especially young women." Her photographs are often ambiguous and have multiple meanings.[1] In 1999, in an exhibition entitled Phoenix she showed a series of seventeen black-and-white photo-prints and one forty-one-foot-long digital billboard image; writing in Frieze, Vince Aletti said, "the exhibition is a mystery that bristles with clues but is ultimately unsolved; perhaps it is unsolvable."[2] Her work has been exhibited in the U.S., Germany, Switzerland, and London, England.[3] Hoey's most notable solo exhibitions have been at the Tache Levy Gallery in Belgium and the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, in Washington, D.C.[4] Her work is included in collections at the Hirshhorn Museum and Sculpture Garden; the Los Angeles Museum of Contemporary Art, CA; the Middlebury College Museum of Art, VT; the National Museum of Women in the Arts, D.C.; the San Francisco Museum of Modern Art, CA; and the Solomon R. Guggenheim Museum, NY. Hoey holds a B.A. from Wesleyan University (1989) and an M.F.A. from Yale University (1997).[5][6] She also teaches at Columbia University. References ^ Roberta Smith, "Art in Review," The New York Times, September 12, 1997 ^ Vince Aletti,"Dana Hoey," Frieze, November 1999. ^ http://art.umbc.edu/visiting/2010/hoey.php ^ http://muse.tulane.edu/dana-hoey/ ^ http://www.nytimes.com/2003/11/16/nyregion/art-review-old-faces-inaugurate-a-renovated-gallery-for-wesleyan.html?pagewanted=2 ^ http://www.columbia.edu/cu/arts/neiman/Hoey/ This article about an artist from the United States is a stub. You can help Wikipedia by expanding it.v · d · e