Your IP: 38.107.179.234 United States Near: United States

Lookup IP Information

1 2 3 4 5 6 7 8 Next

Below is the list of all allocated IP address in 35.169.0.0 - 35.169.255.255 network range, sorted by latency.

François Truffaut Truffaut in 1984 Born François Roland Truffaut 6 February 1932(1932-02-06) Paris, France Died 21 October 1984(1984-10-21) (aged 52) Neuilly-sur-Seine, Hauts-de-Seine, France Occupation Actor, film critic, filmmaker, producer, screenwriter Years active 1955–1983 Spouse Madeleine Morgenstern (m. 1957–1965) «start: (1957)–end+1: (1966)»"Marriage: Madeleine Morgenstern to François Truffaut" Location: (linkback:wiki/Fran%C3%A7ois_Truffaut) François Roland Truffaut (French pronunciation: [fʁɑ̃swa ʁɔlɑ̃ tʁyfo]; 6 February 1932 – 21 October 1984) was an influential film critic and filmmaker and one of the founders of the French New Wave.[1] In a film career lasting over a quarter of a century, he remains an icon of the French film industry. He was also a screenwriter, producer, and actor working on over twenty-five films. Along with Jean-Luc Godard, Truffaut was one of the most influential figures of the French New Wave, inspiring directors such as Steven Spielberg, Quentin Tarantino, Brian De Palma, Martin Scorsese, & Wes Anderson[citation needed]. Contents 1 Early life 2 Career 3 Death 4 Work 5 Attitude towards other filmmakers 6 Filmography 6.1 Director 6.2 Screenwriter only 6.3 Actor 6.4 Producer only 7 Bibliography 8 See also 9 References 10 External links Early life Truffaut was born in Paris on 6 February 1932, out of wedlock. His mother was Janine de Monferrand, and he never met his biological father, Roland Lévy, a Jewish dentist.[2] His mother's future husband Roland Truffaut accepted him as an adopted son and gave him his surname. He was passed around to live with various nannies and his grandmother for a number of years. It was his grandmother who instilled in him her love of books and music. He lived with his grandmother until her death when Truffaut was ten years old. It was only after his grandmother's death that he lived with his parents for the first time.[3] Truffaut would often stay with friends and try to be out of the house as much as possible. His best friend throughout his youth and until his death was Robert Lachenay, who was the inspiration for the character René Bigey in The 400 Blows and would work as an assistant on some of Truffaut's films. It was the cinema that offered him the greatest escape from an unsatisfying home life. He was eight years old when he saw his first movie, Abel Gance's Paradis Perdu from 1939. It was there that his obsession began. He frequently played truant from school and would sneak into theaters because he didn't have enough money for admission. After being expelled from several schools, at the age of fourteen he decided to become self-taught. Some of his academic "goals" were to watch three movies a day and read three books a week.[3][4] Truffaut frequented Henri Langlois' Cinémathèque Française where he was exposed to countless foreign films from around the world. It was here that he became familiar with American cinema and directors such as John Ford, Howard Hawks, Nicholas Ray as well as those of British director Alfred Hitchcock.[citation needed] Career After starting his own film club in 1948, Truffaut met André Bazin, who would have great effect on his professional and personal life. Bazin was a critic and the head of another film society at the time. He became a personal friend of Truffaut's and helped him out of various financial and criminal situations during his formative years.[citation needed] Truffaut joined the French Army in 1950, aged 18, but spent the next two years trying to escape. Truffaut was arrested for attempting to desert the army. Bazin used his various political contacts to get Truffaut released and set him up with a job at his newly formed film magazine Cahiers du cinéma. Over the next few years, Truffaut became a critic (and later editor) at Cahiers, where he became notorious for his brutal, unforgiving reviews.[citation needed] He was called "The Gravedigger of French Cinema" and was the only French critic not invited to the Cannes Film Festival in 1958. He supported Andre Bazin in the development of one of the most influential theories of cinema itself, the auteur theory. In 1954, Truffaut wrote an article called "Une Certaine Tendance du Cinéma Français" ("A Certain Trend of French Cinema"),[4] in which he attacked the current state of French films, lambasting certain screenwriters and producers. The article resulted in a storm of controversy. Truffaut later devised the auteur theory, which stated that the director was the "author" of his work; that great directors such as Renoir or Hitchcock have distinct styles and themes that permeate all of their films. Although his theory was not widely accepted then, it gained some support in the 1960s from American critic Andrew Sarris. In 1967, Truffaut published his book-length interview of Hitchcock, Hitchcock/Truffaut (New York: Simon and Schuster). After having been a critic, Truffaut decided to make films of his own. He started out with the short film Une Visite in 1955 and followed that up with Les Mistons in 1957. After seeing Orson Welles' Touch of Evil at the Expo 58, he was inspired to make his feature film debut Les Quatre Cent Coups (The 400 Blows). Truffaut's grave He was also notably one of the main stars in Steven Spielberg's 1977 film Close Encounters of the Third Kind, where he played scientist Claude Lacombe. Truffaut was married to Madeleine Morgenstern from 1959 to 1965, and they had two daughters, Laura (born 1959) and Eva (born 1961). Madeleine was the daughter of Ignace Morgenstern, managing director of one of France's largest film distribution companies, and was largely responsible for securing funding for Truffaut's first films. While he had affairs with almost all of his leading ladies - in 1968 he was fiancé of Claude Jade - Truffaut and actress Fanny Ardant lived together from 1981 to 1984 and had a daughter, Joséphine Truffaut (born 28 September 1983).[3] Death In 1983, Truffaut was diagnosed with a brain tumor. He died on 21 October 1984, aged 52. At the time of his death, he still had numerous films in preparation. His goal was to make thirty films and then retire to write books for his remaining days. He was five films short of his personal goal. He is buried in Paris's Montmartre Cemetery. Work The 400 Blows was released in 1959 to much critical and commercial acclaim. Truffaut received a Best Director award from the Cannes Film Festival, the same festival that had banned him only one year earlier. The film follows the character of Antoine Doinel through his perilous misadventures in school, an unhappy home life and later reform school. The film is highly autobiographical. Both Truffaut and Doinel were only children of loveless marriages; they both committed petty crimes of theft and truancy from the military. Truffaut cast Jean-Pierre Léaud as Antoine Doinel. Léaud was seen as an ordinary boy of 13 who auditioned for the role after seeing a flyer, but interviews filmed after the film's release (one is included on the Criterion DVD of the film) reveal Léaud's natural sophistication and an instinctive understanding of acting for the camera. Léaud and Truffaut collaborated on several films over the years. Their most noteworthy collaboration was the continuation of the Antoine Doinel character in a series of films called "The Antoine Doinel Cycle". The primary focus of The 400 Blows is centered on the life of a young character by the name of Antoine Doinel. This film follows this character through his troubled adolescence. He is caught in between an unstable parental relationship and an isolated youth. The film focuses on the real life events of the director, François Truffaut. From birth Truffaut was thrown into an undesired situation. As he was born out of wedlock, his birth had to remain a secret because of the social stigma associated with illegitimacy. He was registered as "A child born to an unknown father" in the hospital records. He was looked after by a nurse for an extended period of time. His mother eventually married and her husband Roland gave his surname, Truffaut, to François. Although he was legally accepted as a legitimate child, his parents did not accept him. The Truffauts had another child who died shortly after birth. This experience saddened them greatly and as a result they despised François because of the memory of regret that he represented (Knopf 4[specify]). He was an outcast from his earliest years, dismissed as an unwanted child. François was sent to live with his grandparents. It wasn’t until François's grandmother's death before his parents took him in, much to the dismay of his own mother. The experiences with his mother were harsh. He recalled being treated badly by her but he found comfort in his father, Ronald Truffaut's laughter and overall spirit. The relationship with Ronald was more comforting than the one with his own mother. François had a very depressing childhood after moving in with his parents. They would leave him alone whenever they would go on vacations. He even recalled memories of being alone during Christmas. Being left alone forced François into a sense of independence, he would often do various tasks around the house in order to improve it such as painting or changing the electric outlets. Sadly, these kind gestures often resulted in a catastrophic event causing him to get scolded by his mother. His father would mostly laugh them off. The 400 Blows marked the beginning of the French New Wave movement, which gave directors such as Jean-Luc Godard, Claude Chabrol and Jacques Rivette a wider audience. The New Wave dealt with a self-conscious rejection of traditional cinema structure. This was a topic on which Truffaut had been writing for years. Following the success of The 400 Blows, Truffaut featured disjunctive editing and seemingly random voice-overs in his next film Shoot the Piano Player (1960) starring Charles Aznavour. Truffaut has stated that in the middle of filming, he realized that he hated gangsters. But since gangsters were a main part of the story, he toned up the comical aspect of the characters and made the movie more attuned to his liking. Even though Shoot the Piano Player was much appreciated by critics, it performed poorly at the box office. While the film focused on two of the French New Wave's favorite elements, American Film Noir and themselves, Truffaut never again experimented as heavily. In 1962, Truffaut directed his third movie, Jules and Jim, a romantic drama starring Jeanne Moreau. Over the next decade, Truffaut had varying degrees of success with his films. In 1965 he directed the American production of Ray Bradbury's classic sci-fi novel Fahrenheit 451. It showcased Truffaut's love of books. His only English-speaking film was a great challenge for Truffaut, because he barely spoke English himself. This was also his first film shot in color. The larger scale production was difficult for Truffaut, who had worked only with small crews and budgets. Truffaut worked on projects with varied subjects. The Bride Wore Black (1968), a brutal tale of revenge, is a stylish homage to the films of Alfred Hitchcock (once again starring Jeanne Moreau). Mississippi Mermaid (1969), with Catherine Deneuve, is an identity-bending romantic thriller. Stolen Kisses (1968) and Bed and Board (1970) are continuations of the Antoine Doinel Cycle. And The Wild Child (1970) included Truffaut's acting debut in the lead role of 18th century physician Jean Marc Gaspard Itard. Two English Girls (1971) is the yin to the Jules and Jim yang. It is based on a story written by Henri-Pierre Roche, who also wrote Jules and Jim. It is about a man who falls equally in love with two sisters, and their love affair over a period of years. Day for Night won Truffaut a Best Foreign Film Oscar in 1973. The film is probably his most reflective work. It is the story of a film crew trying to finish their film while dealing with all of the personal and professional problems that accompany making a movie. Truffaut plays the director of the fictional film being made. This film features scenes shown in his previous films. It is considered to be his best film since his earliest work. Time magazine placed it on their list of 100 Best Films of the Century (along with The 400 Blows). In 1975, Truffaut gained more notoriety with The Story of Adele H. Isabelle Adjani in the title role earned a nomination for a Best Actress Oscar. Truffaut's 1976 film Small Change gained a Golden Globe Nomination for Best Foreign Film. One of Truffaut's final films gave him an international revival. In 1980, his film The Last Metro garnered twelve César Award nominations with ten wins, including Best Director. Truffaut's final movie was shot in black and white. It gives his career almost a sense of having bookends. In 1983 Confidentially Yours is Truffaut's tribute to his favorite director, Alfred Hitchcock. It deals with numerous Hitchcockian themes, such as private guilt vs. public innocence, a woman investigating a murder, anonymous locations, etc. Among Truffaut's films, a series features the character Antoine Doinel, played by the actor Jean-Pierre Léaud. He began his career in The 400 Blows at the age of fourteen, and continued as the favorite actor and "double" of Truffaut. The series continued with Antoine and Colette (a short film in the anthology Love at Twenty), Stolen Kisses (in which he falls in love with Christine Darbon alias Claude Jade), Bed and Board about the married couple Antoine and Christine—and, finally, Love on the Run, where the couple go through a divorce. In the last movies, Léaud's partner was played by Truffaut's favorite actress Claude Jade as his girlfriend (and then wife), "Christine Darbon." During the filming of "Stolen Kisses, Truffaut himself fell in love with, and was briefly engaged to, Claude Jade. A keen reader, Truffaut adapted many literary works, including two novels by Henri-Pierre Roché, Ray Bradbury's Fahrenheit 451, Henry James' "The Altar of the Dead", filmed as The Green Room, and several American detective novels. Truffaut's other films were from original screenplays, often co-written by the screenwriters Suzanne Schiffman or Jean Gruault. They featured diverse subjects, the sombre The Story of Adele H., inspired by the life of the daughter of Victor Hugo, with Isabelle Adjani; Day for Night, shot at the Studio La Victorine describing the ups and downs of film-making; and The Last Metro, set during the German occupation of France, a film rewarded by ten César Awards. Known as being a lifelong cinephile, Truffaut once (according to the documentary François Truffaut: Stolen Portraits) threw a hitchhiker he had picked up out of his car after learning that the hitchhiker didn't like films. Truffaut is admired among other filmmakers and several tributes to his work have appeared in other films such as Almost Famous, Face and The Diving Bell and the Butterfly, as well as novelist Haruki Murakami book Kafka on the Shore. Attitude towards other filmmakers Truffaut expressed his admiration for filmmakers such as Luis Buñuel, Ingmar Bergman, Robert Bresson, Martin Scorsese, and Steven Spielberg. He once called German New Wave filmmaker Werner Herzog "the most important film director alive." In 1973, Jean-Luc Godard accused Truffaut of making a movie that was a “lie,” and Truffaut replied with a 20-page letter in which he accused Godard of being a radical-chic hypocrite, a man who believed everyone to be “equal” in theory only. The two never saw each other again. [5] Filmography Director Year Title Original title Notes 1955 A Visit Une Visite 1957 The Mischief Makers Les Mistons 1959 The 400 Blows Les Quatre Cents Coups Antoine Doinel series 1960 Shoot the Piano Player Tirez sur le pianiste 1961 A Story of Water Une Histoire d'eau Co-directed with Jean-Luc Godard 1962 Jules and Jim Jules et Jim 1962 Antoine and Colette Antoine et Colette Antoine Doinel series, segment from Love at Twenty 1964 The Soft Skin La Peau douce 1966 Fahrenheit 451 Fahrenheit 451 Filmed in English 1968 The Bride Wore Black La Mariée était en noir 1968 Stolen Kisses Baisers volés Antoine Doinel series; nominated for the Academy Award for Best Foreign Language Film 1969 Mississippi Mermaid La sirène du Mississipi 1970 The Wild Child L'Enfant sauvage 1970 Bed and Board Domicile conjugal Antoine Doinel series 1971 Two English Girls Les Deux anglaises et le continent 1972 Such a Gorgeous Kid Like Me Une belle fille comme moi 1973 Day for Night La Nuit américaine Winner of the Academy Award for Best Foreign Language Film 1975 The Story of Adele H. L'Histoire d'Adèle H. 1976 Small Change L'Argent de poche Called Pocket Money in English-speaking countries outside North America. Entered into the 26th Berlin International Film Festival.[6] 1977 The Man Who Loved Women L'Homme qui aimait les femmes Entered into the 27th Berlin International Film Festival.[7] 1978 The Green Room La Chambre verte 1979 Love on the Run L'Amour en fuite Antoine Doinel series, entered into the 29th Berlin International Film Festival.[8] 1980 The Last Metro Le Dernier métro 1981 The Woman Next Door La Femme d'à côté 1983 Confidentially Yours Vivement dimanche! Screenwriter only Year Title Original title Notes 1960 Breathless À bout de souffle Directed by Jean-Luc Godard 1988 The Little Thief La Petite voleuse Directed by Claude Miller 1995 Belle Époque Belle Époque Miniseries, with Jean Gruault; directed by Gavin Millar Actor Year Title Role Notes 1959 The 400 Blows Man in Funfair (uncredited) 1970 The Wild Child Dr. Jean Itard 1970 Bed & Board Newspaper vendor - voice (uncredited) 1973 Day for Night Ferrand, the film director 1975 The Story of Adele H. Officer (uncredited) 1976 Small Change Martine's Father (uncredited) 1977 Close Encounters of the Third Kind Claude Lacombe Directed by Steven Spielberg 1978 The Green Room Julien Davenne 1981 The Woman Next Door Cameo (uncredited) Producer only Year Title Original title Notes 1958 Good Anna Anna la bonne Directed by Harry Kümel 1960 Testament of Orpheus Le testament d'Orphée Directed by Jean Cocteau 1961 The Gold Bug Le scarabée d'or Directed by Robert Lachenay 1968 Naked Childhood L'Enfance Nue Directed by Maurice Pialat Bibliography Les 400 Coups (1960) with M. Moussy (English translation: The 400 Blows) Le Cinéma selon Alfred Hitchcock (1967, second edition 1983) (English translation: Hitchcock and Hitchcock/Truffaut with the collaboration of Helen G. Scott) Les Aventures d'Antoine Doinel (1970) (English translation: Adventures of Antoine Doinel; translated by Helen G. Scott) Jules et Jim (film script) (1971) (English translation: Jules and Jim; translated by Nicholas Fry) La Nuit américaine et le Journal de Fahrenheit 451 (1974) Le Plaisir des yeux (1975) L'Argent de poche (1976) (English title: Small change: a film novel; translated by Anselm Hollo) L'Homme qui aimait les femmes (1977) Les Films de ma vie (1981) (English translation: Films in my life; translated by Leonard Mayhew) Correspondance (1988) (English translation: Correspondence, 1945–1984; translated by Gilbert Adair) Le Cinéma selon François Truffaut (1988) edited by Anne Gillain Belle époque (1996) with Jean Gruault See also Biography portal List of notable brain tumor patients François Truffaut Award François Truffaut: Stolen Portraits, a 1993 documentary film Two in the Wave, a 2010 documentary film about Truffaut's relationship with Jean-Luc Godard References ^ Obituary Variety, October 24, 1984. ^ Ingram, Robert (2004). François Truffaut. Taschen. p. 94. http://books.google.de/books?id=UtDWnNzi3jMC&pg=PA94&lpg=PA94&dq=Roland+L%C3%A9vy+Truffaut&source=bl&ots=hRnwCaRk_Z&sig=yoRmweojFQI1HgJBTWpThYKBPEY&hl=en&ei=52P5TKCGKIes8gP0toDECQ&sa=X&oi=book_result&ct=result&resnum=4&ved=0CCgQ6AEwAw#v=onepage&q&f=false. Retrieved 2010-12-03.  ^ a b c New Wave Film.com ^ a b AllMovie.com ^ Gleiberman, Owen. "Godard and Truffaut: Their spiky, complex friendship is its own great story in 'Two in the Wave". Article. http://insidemovies.ew.com/2010/05/27/godard-truffaut-and-their-spiky-friendship/.  ^ "IMDB.com: Awards for Small Change". imdb.com. http://www.imdb.com/title/tt0074152/awards. Retrieved 2010-07-16.  ^ "IMDB.com: Awards for The Man Who Loved Women". imdb.com. http://www.imdb.com/title/tt0076155/awards. Retrieved 2010-07-25.  ^ "IMDB.com: Awards for Love on the Run". imdb.com. http://www.imdb.com/title/tt0078771/awards. Retrieved 2010-08-14.  External links Wikimedia Commons has media related to: François Truffaut François Truffaut at the Internet Movie Database New Wave Film Encyclopedia: "François Truffaut" an extensive biography François Truffaut bibliography via the UC Berkeley Media Resources Center Francois Truffaut at The Guardian Film Francois Truffaut at The New York Times Movies François Truffaut collected news and commentary at The New York Times Works by or about François Truffaut in libraries (WorldCat catalog) Legendary interview with Truffaut from 1970 An article on Truffaut and his influence by director Martin Scorsese as he commemorates him as one of the 60 greatest heroes from Europe as selected by Time magazine AllMovie.com Biography v · d · eFilms by François Truffaut 1950s Une Visite · Les Mistons · The 400 Blows 1960s Shoot the Piano Player · Une Histoire d'eau · Jules and Jim · Antoine and Colette · The Soft Skin · Fahrenheit 451 · The Bride Wore Black · Stolen Kisses · Mississippi Mermaid 1970s The Wild Child · Bed and Board · Two English Girls · Such a Gorgeous Kid Like Me · Day for Night · The Story of Adele H. · Small Change · The Man Who Loved Women · The Green Room · Love on the Run 1980s The Last Metro · The Woman Next Door · Confidentially Yours Screenplay only Breathless · The Little Thief · Belle Époque v · d · eBAFTA Award for Best Direction Mike Nichols (1968) · John Schlesinger (1969) · George Roy Hill (1970) · John Schlesinger (1971) · Bob Fosse (1972) · François Truffaut (1973) · Roman Polanski (1974) · Stanley Kubrick (1975) · Miloš Forman (1976) · Woody Allen (1977) · Alan Parker (1978) · Francis Ford Coppola (1979) · Akira Kurosawa (1980) · Louis Malle (1981) · Richard Attenborough (1982) · Bill Forsyth (1983) · Wim Wenders (1984) Complete List · (1968-1984) · (1985-2009) · (2010-2034) v · d · eCésar Award for Best Director 1976 Bertrand Tavernier · 1977 Joseph Losey · 1978 Alain Resnais · 1979 Christian de Chalonge · 1980 Roman Polanski · 1981 François Truffaut · 1982 Jean-Jacques Annaud · 1983 Andrzej Wajda · 1984 Ettore Scola · 1985 Claude Zidi · 1986 Michel Deville · 1987 Alain Cavalier · 1988 Louis Malle · 1989 Jean-Jacques Annaud · 1990 Bertrand Blier · 1991 Jean-Paul Rappeneau · 1992 Alain Corneau · 1993 Claude Sautet · 1994 Alain Resnais · 1995 André Téchiné · 1996 Claude Sautet · 1997 Patrice Leconte / Bertrand Tavernier · 1998 Luc Besson · 1999 Patrice Chéreau · 2000 Tonie Marshall · 2001 Dominik Moll · 2002 Jean-Pierre Jeunet · 2003 Roman Polanski · 2004 Denys Arcand · 2005 Abdellatif Kechiche · 2006 Jacques Audiard · 2007 Guillaume Canet · 2008 Abdellatif Kechiche · 2009 Jean-François Richet · 2010 Jacques Audiard · 2011 Roman Polanski v · d · eCinema of France Actors · Directors · Cinematographers · Editors · Films A-Z · Producers · Score composers · Screenwriters · Film festivals Films by year: 1892–1909 · 1910 · 1911 · 1912 · 1913 · 1914 · 1915 · 1916 · 1917 · 1918 · 1919 · 1920 · 1921 · 1922 · 1923 · 1924 · 1925 · 1926 · 1927 · 1928 · 1929 · 1930 · 1931 · 1932 · 1933 · 1934 · 1935 · 1936 · 1937 · 1938 · 1939 · 1940 · 1941 · 1942 · 1943 · 1944 · 1945 · 1946 · 1947 · 1948 · 1949 · 1950 · 1951 · 1952 · 1953 · 1954 · 1955 · 1956 · 1957 · 1958 · 1959 · 1960 · 1961 · 1962 · 1963 · 1964 · 1965 · 1966 · 1967 · 1968 · 1969 · 1970 · 1971 · 1972 · 1973 · 1974 · 1975 · 1976 · 1977 · 1978 · 1979 · 1980 · 1981 · 1982 · 1983 · 1984 · 1985 · 1986 · 1987 · 1988 · 1989 · 1990 · 1991 · 1992 · 1993 · 1994 · 1995 · 1996 · 1997 · 1998 · 1999 · 2000 · 2001 · 2002 · 2003 · 2004 · 2005 · 2006 · 2007 · 2008 · 2009 · 2010 · 2011 v · d · eFrench New Wave Directors François Truffaut · Jean-Luc Godard · Éric Rohmer · Claude Chabrol · Jacques Rivette Left Bank Jacques Demy · Marguerite Duras · Jean Eustache · Louis Malle · Chris Marker · Jean-Pierre Melville · Luc Moullet · Alain Resnais · Jacques Rozier · Agnès Varda Influences Alexandre Astruc · André Bazin · Robert Bresson · Jacques Doniol-Valcroze · Henri Langlois · Joseph-Marie Lo Duca Key films Le Beau Serge (1958) · The 400 Blows (1959) · Hiroshima mon amour (1959) · Breathless (1960) · Cléo from 5 to 7 (1962) · Adieu Philippine (1962) Related topics Auteur theory · Cahiers du cinéma · Cinémathèque Française · Jump cut Persondata Name Truffaut, François Alternative names Truffaut, François Roland Short description French screenwriter, director, producer or actor Date of birth 6 February 1932 Place of birth Paris, France Date of death 21 October 1984 Place of death Neuilly-sur-Seine, Hauts-de-Seine, France